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Screenplay format guide

Subtitles in a Screenplay: Foreign Dialogue

To write foreign language dialogue in a screenplay, write the line in English and add a parenthetical such as (in Spanish; subtitled) under the character name. If the audience should not understand it, write the actual words with (in Spanish) and no subtitle note. For long stretches, add one note before the scene instead of repeating it.

Written and reviewed by ScriptLix Editorial

INT. ABUELA'S KITCHEN - NIGHT

Rosa stirs a pot. Her grandson NICO (17) hovers by the door with a duffel bag.

ROSA

(in Spanish; subtitled)

You're leaving without eating? In this house?

NICO

(in Spanish; subtitled)

The bus is at nine, Abuela.

She turns off the stove. Looks at the bag. Looks at him.

ROSA

(in Spanish)

Siéntate.

He sits.

Subtitled Spanish written in English with a parenthetical, and untranslated Spanish left as is.

Write your own

Type in plain text. A name in caps right above a line becomes dialogue, and lines starting INT. or EXT. become scene headings.

INT. ABUELA'S KITCHEN - NIGHT

Rosa stirs a pot. Her grandson NICO (17) hovers by the door with a duffel bag.

ROSA

(in Spanish; subtitled)

You're leaving without eating? In this house?

NICO

(in Spanish; subtitled)

The bus is at nine, Abuela.

She turns off the stove. Looks at the bag. Looks at him.

ROSA

(in Spanish)

Siéntate.

He sits.

How to use it

  1. 1

    Decide what the audience should understand: subtitled lines are written in English, unsubtitled lines in the real language.

  2. 2

    Add a parenthetical like (in French; subtitled) or (in French) under the cue.

  3. 3

    For a whole scene in one language, say so once in an action line or note before the dialogue.

Which way to write it

You want the audience toWrite the line inParenthetical
Understand itEnglish(in Spanish; subtitled)
Not understand itThe real language(in Spanish)
Get the gist from actingThe real language, short(in Spanish)
Follow a long sceneEnglishOne note before the scene

Why write subtitled dialogue in English?

Because the reader needs to follow the story, and most readers in an English language market do not read every language. Writing the line in English, with a note that it is spoken in another language and subtitled, gives the reader the meaning and the director the instruction.

If a line should stay untranslated on screen, write it in the real language. The reader then has the same experience as the audience: not understanding is the point.

Where does the language note go?

Under the character name as a parenthetical: (in Mandarin; subtitled). Keep it short. For a scene where everyone speaks the same language, write a single line before the dialogue, such as NOTE: The following is in Korean, subtitled in English, and drop the parentheticals. Write another note when the language changes back.

Some writers put subtitled lines in italics. That is fine, but Courier italics can be hard to spot, so pair it with a note the first time.

Should I write the line in the other language at all?

Only where it matters to hear the actual words, and only if you are sure they are right. A wrong phrase in Spanish or Arabic undercuts a character faster than any other mistake. If you are not fluent, ask someone who is, or write it in English with the language note.

More from the format guide

Questions writers ask

How do you write subtitles in a screenplay?

Write the line in English and put (in Spanish; subtitled), or whichever language, as a parenthetical under the character name.

How do you write foreign language dialogue that is not subtitled?

Write the line in the actual language with a parenthetical like (in Spanish), and no subtitle note. The reader experiences it as the audience will.

What if a whole scene is in another language?

Add one note before the dialogue, such as NOTE: This scene is in French, subtitled in English, then write the lines in English without repeating it.

Can I use italics for subtitled lines?

Yes, some writers do, but explain it once in a note, since italics in Courier are easy to miss.

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