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SLScriptlix

Comedy Screenplays for Sale

Browse 3 professional comedy screenplays in the ScriptLix catalog. Each script is evaluated for cast size, location count, VFX needs, and overall producibility before publication. Read free sample pages, compare ratings, and own the full script from $19. Production rights are licensed separately.

Comedy screenplays in the catalog

  • OPEN BAR

    A disgraced wedding planner takes the only job available: orchestrating the perfect wedding for her college ex and his fiancee. The ex is oblivious. The fiancee is delighted. The four weeks ahead will

    95 pages
  • ADJACENT

    When a recently divorced executive chef buys a food truck as a midlife reinvention and is given the prime corner spot at Austin's newest outdoor market on his first day, the six-year veteran who appli

    110 pages
  • FORTY MILLION TONNES

    Dara Osei joins the Environmental Responsibility Division of Petrocal Energy Group and discovers her job is not to reduce the company's carbon footprint but to produce the language that makes it sound

    89 pages

Browse all screenplays in the ScriptLix catalog

Comedy

OPEN BAR

Maya Chen has planned 47 flawless weddings. The 48th goes viral when the groom's cake collapses onto the officiant and the hashtag WeddingDisasterPro trends for seventy-two hours. Her firm fires her within the week. With savings running out and her reputation in ruins, Maya takes the only job her battered roster can land: a referral from a desperate bride in Seattle. The catch arrives when she reads the groom's name. Daniel Park. Her college boyfriend. The man she left, or who left her, depending on whose version you believe. Maya drives to the first consultation planning to keep her head down and her sunglasses on. The fiancee, Sophie Beaumont (31), greets her at the door and immediately says: I know who you are. I Googled you before I called. You are still the best. Sophie does not appear to consider this a problem. Daniel does not recognize Maya until the second morning when he spills his entire coffee. The next four weeks produce: a venue that double-booked them with a corporate conference, a mother-of-the-bride named Vivienne Beaumont who treats the wedding as a diplomatic summit, a florist who only communicates through interpretive arrangement, and the slow dawning realization that Maya finds Sophie far more interesting than she finds Daniel. The film is a comedy about competence, old stories, and the particular courage required to want something new. Nobody makes a speech. The ending earns its warmth without sentimentality.

95 pages

Comedy

ADJACENT

Jin Park has run PARK'S at the Eastside Open Market for six years. Her bibimbap bowl is the anchor dish of the Austin market scene. She has applied for the corner spot three years in a row and been told maybe next year each time. On the first day of the new season, Nick Callahan parks CALLAHAN'S in the corner spot: a former executive chef, recently divorced, technically brilliant and operationally a disaster. When his first service collapses, Jin intervenes and then charges him for the oil. Over the following weeks, Nick improves, the Iron Chef cook-off pairs them as accidental partners, and they produce a gochujang aioli that belongs to both of them. A food blog names Nick the breakout star and Dwight offers him the permanent corner lease. Nick brings the offer to Jin. Jin brings the truth to Dwight. Jin gets the corner. Nick takes the adjacent spot. The twelve feet stays.

110 pages

Comedy

FORTY MILLION TONNES

A talented sustainability analyst joins an oil company's six-person Environmental Responsibility Division and spends twelve months designing initiatives that are precisely described, genuinely believed in, and cosmically inadequate. Over a year of press releases, board presentations, an award ceremony, a wildfire that destroys the division's flagship reforestation project, and a conference keynote that names the gap between the company's emissions and the team's work, she becomes the most effective member of a division whose effectiveness is measured in documents. The film ends with her at her desk, a new blank document open, the cursor blinking. Both readings of what she does next are consistent with everything that came before.

89 pages